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THE EIGHTH DECADE (1961 - 1970)


   Oriole York Mills
   United, Toronto (1960)


   Central Presbyterian,
   Brantford (1960)


   St Bride Anglican,
   Clarkson, Mississauga
   (1961)


   St Bride Anglican,
   Clarkson, Mississauga
   (1961)


   Wellington Square United,
   Burlington (1965)


   Mount Allison University
   Chapel (1963)


   Spring Garden Baptist
   (1961)

The momentum of church growth in the fifties carried on into the early sixties, but at a considerably reduced level. This may have been partly due to over building in the previous decade, but also to a change in society's view of the church. This was the period of Pierre Berton's "A Comfortable Pew" and Bishop John Robinson's "Honest to God". The Hippie Movement was just getting under way, and traditional life styles were not only questioned but also often overturned.

The result of these factors was that following the completion of Oriole York Mills United in Toronto, Central Presbyterian in Brantford, St. Bride (Clarkson) in Mississauga and others built in 1961 and 1962, there was a marked reduction in church work available. The firm designed a few large church projects in the 196O's, but these, like Wellington Square United in Burlington and Kingsview United in Oshawa, were the results of amalgamations and relocations of established churches rather than pure growth.

At about this time the firm was invited to Mount Allison University in Sackville, New Brunswick. Dr. Laurie Craig, chemist turned administrator, had just been brought from McMaster University to take over as President. Dr. Craig had been much taken with the Divinity College at McMaster and there was considerable pressure to build a Chapel at Mount Allison.

The difficulty in launching this project was in site selection. It was a disorganized series of buildings that faced the two Browns when they visited this small but charming campus, and they decided that they could not make an informed judgment about a new chapel without some idea of where the university was going, and how it was to develop. The campus at this time was a collection of white frame and red Sackville stone buildings forming the centre of the Town of Sackville and bounded by city streets. The buildings for the most part where built facing the street so that the central core of the complex was a maze of parking lots, service areas, utility poles and garbage cans. Conveying their unease about adding to this, the Browns persuaded administration to commission a study for the redevelopment of the campus.

The result of this was a plan that virtually turned the campus inside out. The buildings were to be re-oriented so that they were serviced from the surrounding streets, thus freeing the Central Core to become an enclosed green pedestrian space. This central campus formed a rough rectangle enclosed at one end by the proposed new chapel and at the other by the library/arts complex.

Aware that the frame buildings would have to be replaced and that further building was certain to take place Bruce Brown persuaded the University to re-open its own quarry and continue the use of the stone character established much earlier.

From this Master Plan came work including the Chapel, the Fine Arts Building, the Conservatory of Music, the Chemistry Building, the Library and the Men's Residences, and in addition substantial renovation to the Owens' Art Gallery, and the University Centre (formerly the library). The Arts Building that was to complete the central campus was completed some years later.

Fortunately the decline in church building in the sixties and seventies was offset by this University work that also included the design of the Conservatory of Music at Acadia University in Wolfville Nova Scotia.

The sixties were not completely devoid of church work and saw in addition to examples mentioned previously, Immanuel Baptist Church and Spring Garden Baptist Church in North York, West Humber United Church in Rexdale, and Bethesda United Church in Mississauga.

 

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